Lot 2ВИЛЛИ ТОКАРЕВ - ЗОЛОТО-1983-ORIGINAL PRESS 2015 -EU-МИРУМИР-NMINT/NMINT

WILLY TOKAREV - OVER THE HUDSON-1983-ORIGINAL PRESS 2015 -EU-MIRUMIR-MIR100469. A rare anniversary edition of the iconic album. "Over the Hudson" is the third studio album by Soviet, American and Russian author-performer Willy Tokarev, released in 1983 on the Sava Recording Corporation label in the USA. The producer is Willy Tokarev. At the age of 40, in 1974, Willy Tokarev emigrated to the United States with $100 in his pocket. He was sheltered for 2-3 weeks by the Tolstoy Foundation, whose head was Alexandra Tolstaya, daughter of Leo Tolstoy. There he was a courier, a cleaner in a bakery, sorted through the Russian library of a millionaire, a newspaper deliveryman, became unemployed because he did not know English well, so he began to learn the language by reading American newspapers, graduated from a nurse's course, learned to drive a car, passed a taxi driving test and began working as a taxi driver to earn money for recording records, writing songs in his spare time, he was robbed four times (once, on Christmas Day, he was almost killed by a black man). He played at Carnegie Hall on a balalaika, which he bought at a souvenir shop on Fifth Avenue for $ 50, then played and sang in restaurants and nightclubs.  In 1979, the first record "And life is always beautiful!" was released, which was not particularly noticed. In 1981, the second album "In a noisy booth" was released, which brought Tokarev fame among Russian-speaking emigrants. In the 1980s, he worked at the Russian restaurant Sadko, and then at the restaurants Primorsky and Odessa, accompanied by Irina Ola. He was called the "honorary Jew of Brighton." Willy founded his own label, One Man Band, and recorded about twenty albums there.In 1989, Willy Tokarev flew to the USSR with concerts. A major role in the organization of these tours was played by the famous entrepreneur Viktor Shulman, who himself also performed "Odessa songs" from the repertoire of Leningrad "tape recorder" bards, Boris Sichkin and other veterans of the genre. 70 concerts throughout the Soviet Union were a success. ...more

LED ZEPPELIN - LED ZEPPELIN III-1970-THE FIRST JAPAN-ATLANTIC-MT2043 PRESS. Very rare Japanese original in full package (very rare OBI) Led Zeppelin III is the third studio album by the English rock band Led Zeppelin, released on October 5, 1970. Led Zeppelin III was one of the most anticipated albums of 1970, with pre-orders approaching one million in the United States alone. The cover with the wavy edge delayed production for two months. Ahead of the release, the band posted a full-page advertisement in Melody Maker magazine at the end of September saying, "Thank you for making us the number one band in the world."  The album was released in the US on October 5, and in the UK on October 23. He immediately topped the UK charts. Led Zeppelin III became the number one transatlantic hit. In the UK, it reached number one on November 7, 1970 and remained on the charts for 40 weeks. In the United States, it entered the charts at number three on October 24 and reached number one the following week. It stayed on the charts for 19 weeks and was certified gold on October 8, 1970. ...more

LIVIN' BLUES-ROCKING AT THE TWEED MILL-1973-FIRST PRESS HOLLAND-PHILIPS-6413044. A rare German original of the cult album. .Rocking At The Tweed Mill is the fourth studio album by Dutch rock band Livin' Blues. It was released in 1973 with the support of the Philips label. In 1972, the band broke up with Eggermont and began collaborating with British producer Mike Vernon. Their first record together was "Rocking At The Tweed Mill", on which Arjen Cumming drummed. The album received high marks and hit all European charts. ...more

SUPERTRAMP-INDELIBLY STAMPED-1971-THE FIRST UK-AM-AMLH 64306 PRESS. A-1/B-1 matrices. A very rare British original of the cult album. Indelibly Stamped is the second album by the English rock band Supertramp, released in 1971. It marked a drastic change of direction to a more straightforward rock sound, and, according to the band members themselves, "Traveled" is the only song that somehow resembles their debut album. Like their debut album, this album was a commercial failure upon release, but went gold in France and Canada in the following decades. The original editions have a color cover with a flap and other text for the band name and album. The cover depicts a woman with a naked torso and tattoos on her arms. This is Supertramp's first album released in the USA. The album was banned from a number of music stores in Australia, while in other stores each copy was sold in a brown paper envelope. ...more

THE BAND - LAST WALTZ (3LP'S) -1978-FIRST UK PRESS- WARNER-K66076 Rare British original of the iconic concert. "The Last Waltz" is a concert by the Canadian-American rock band The Band, held on American Thanksgiving Day, November 25, 1976, at the Winterland Ballroom in San Francisco. The Last Waltz was advertised as the band's "farewell concert",[2] and the band was joined at the concert by over a dozen special guests, including their previous employers Ronnie Hawkins and Bob Dylan, as well as Paul Butterfield, Bobby Charles, Eric Clapton, Neil Diamond, Emmylou Harris, Dr. John, Joni Mitchell, Van Morrison, The Staple Singers, Ringo Starr, Muddy Waters, Ronnie Wood and Neil Young. The musical director of the concert was the original producer of the band John Simon. The concert was produced and hosted by Bill Graham and directed by Martin Scorsese, who turned it into a documentary film of the same name, released in 1978. "The Last Waltz" is one of the best, if not the best, rock films ever made, which reveals and energizes a classical band at the peak of its popularity." Chicago Tribune film critic Michael Wilmington calls it "the greatest rock concert film ever made, and arguably the best rock film in history."Terry Lawson of the Detroit Free Press comments, "This is one of the greatest films."  Total Film considers it "the greatest concert film ever made." Janet Maslin of the New York Times gave it a negative assessment, saying that it "says so little about the end-of-an-era feeling it hints at... that it is impossible to perceive "The Last Waltz" otherwise than as a passing movie." However, in 2003, The New York Times included the film in its list of the "1000 Best Films of All Time," and Rolling Stone called it "The Greatest Concert Film of All Time." ...more