Lot 37MCCARTNEY, PAUL-TUG OF WAR-1982-FIRST PRESS JAPAN-ODEON-NMINT/NMINT

SIMON, PAUL -GRACELAND-1986-FIRST PRESS (PROMO) JAPAN-WARNER-P-13311. Rare Japanese original of the cult album. Graceland is the seventh solo studio album by American singer—songwriter Paul Simon. It was produced by Simon, mixed by Roy Haley, and released on August 25, 1986, by Warner Bros. Records. It includes genres such as pop, rock, a cappella, zydeco, and South African styles such as Isichatamiya and mbakanga. "Graceland" became Simon's most successful studio album and his most popular album in over a decade. It is estimated to have sold over 16 million copies worldwide. It received acclaim, won the 1987 Grammy Award for Album of the Year, and is often cited as one of the best albums in history. In 2006, it was listed on the U.S. National Recording Registry as "culturally, historically, or aesthetically significant." ...more

BEATLES-REVOLVER-1966-FIRST PRESS (STEREO) UK-PARLOPHONE- PCS7009 Matrix Numbers: Side 1: YEX 605-1; Side 2: YEX 606-1.  2OH/3AO stamps (Early!) .  The first printing took place on August 5, 1966. Black label with yellow logo and silver lettering. “The Gramophone Co. Ltd.” printed at the beginning of the perimeter and contains the text “Sold in the UK on condition ...”. The usual white or white and black inner sleeves with the inscription “LP Advertisement". The label shows the KT tax code or without it. Matrix numbers: Side 1: XEX 605-1 Side 2: XEX 606-1. This is how labels first appeared on the shelves.  The labels use the Arial sans-serif font. In addition, the labels used two versions: on the second side of the track, Doctor Robert is written with a typo as “Dr. ROBERT” and without mistake. On the first press on the labels, the name of each song began with a new line, with the first line being written exclusively for “Taxman” and “Eleanor Rigby” starting from the second line down. It should also be noted that on these original labels, the title of each song was followed by the credits, followed by the author. ...more

VAN DER GRAAF GENERATOR-VITAL LIVE-1978-FIRST UK PRESS-CHARISMA-CVLD101. Of the matrix A-1/B-1/C-1/D-1 Masterdisc -ALLEN. Rare British original double concert of cult prog group. Vital: Van der Graaf Live is the first live album by the English progressive rock band Van der Graaf Generator . It was recorded 16 January 1978 at the Marquee in London and was released in July, a month after the group disbanded in 1978. The album is known for its radical recycling old material. Although Van der Graaf Generator has always been active on stage, on tours 1977 and 1978 was noted for its ferocity. ...more

ABBA-WATERLOO-1974-SECOND PRESS 1976 SWEDEN-POLAR--POLS252. A rare Swedish second press of the iconic album, after which ABBA became famous all over the world. Waterloo is the second studio album by Swedish pop band ABBA, the first to be released internationally. It was originally released on March 4, 1974 in Sweden on the Polar Music label. The album's title track won ABBA the Eurovision Song Contest in 1974 and became a worldwide hit, launching the band's career. "Waterloo" won the Swedish qualifying round, and the band represented Sweden in Brighton at the Eurovision Song Contest in 1974. ABBA won the competition, and "Waterloo" became a hit not only in Europe, but also around the world (for example, taking 6th place in the USA). The album has already been released in Sweden and topped the Swedish charts for 12 weeks, becoming one of the best-selling Swedish albums at that time. In the UK, the album peaked at number 28, becoming the first album by a foreign artist to chart, and performed well in the rest of Europe. ...more

ARABESQUE-ARABESQUE-1978-THE FIRST SCANDINAVIA-TALENT-TLS3051 PRESS.  A very rare Scandinavian original of the first album of disco giants. Arabesque I (Friday Night) is the debut studio album by the West German disco band Arabesque. It was released in 1978 on EMI Electrola in Germany and on Victor Record in Japan. The Arabesque disco group was founded in 1977 (registered in the German city of Offenbach in a recording studio owned by legendary producer Frank Farian). At that time, there was a fashion in Europe for "girl groups” in which female vocals were dominant: Baccara, ABBA, Boney M. The debut album of the Arabesque trio was recorded with the following line-up: Karen Ann Tepperis, Michaela Rose and Mary Ann Nagel. After recording the first record, Tepperis and Nagel left the band, and Jasmin Vetter and Heike Rimbeau became new members of the trio. In 1979, Arabesque joined the seventeen-year-old and still unknown Sandra Lauer, who replaced vocalist Heike Rimbeau. Sandra immediately became an informal leader in the band - in the vast majority of songs, the main vocals belonged to her. Arabesque were very popular in Japan; in Europe, however, until the release of "Marigot Bay" in 1980, the band could not boast of "frenzied" success. After that, they gained real popularity, but they never rose to the "Japanese" level. I must say that the girls from the group complemented each other surprisingly precisely: they seemed to represent "three elements", three different types - dark-skinned Southerner Michaela, blonde Northerner Jasmine and, finally, Sandra with her "Japanese" cut of the eyes.In 1984, Sandra's five-year contract to work at Arabesque expired. She, with the support of her future husband Michael Cretu, decides to start a solo career, and the band, which rose due to Sandra's talent, ceases to exist. In the same year, the band's last album "Time To Say Good Bye" was released. Michaela Rose and Jasmine Vetter, trying not to miss their chance, create a new band called Rouge, but it was not successful. Rouge disbanded in 1988. Popularity in the USSR. Despite the lack of popularization of disco in the Soviet media, it had a lot of fans in the USSR. Arabesque were one of the favorite bands in Soviet discos. The popularity of the band was so great that in 1984 the Melodiya company released a record with ten songs from different albums. The record quickly became, as they said at the time, "scarce", and it could only be bought with a huge overpayment. Most of the band's songs were distributed across the country in tape recordings. In 1989, in the wake of Perestroika, Sandra was invited to Moscow, where she was greeted by a full house of enthusiastic fans. Arabesque songs are still often heard on Russian radio in retro programs dedicated to the 1980s. ...more