Lot 104ROXETTE-JOYRIDE-1991-FIRST PRESS GERMANY-EMI-NMINT/NMINT

CERRONE-GOLDEN TOUCH-1978-THE FIRST USA-COTILLION-SD5208 press. A rare American original of a cult album. Cerrone IV - The Golden Touch is the fourth studio album by French disco musician and producer Jean-Marc Cerrone, released in 1978 on Malligator (773,807) in France, on Atlantic branch Cotillion (SD 5208) in the USA, on CBS - in European countries. Having gained the huge popularity of his previous album, Supernatural - Cerrone III (1977), Cerrone decided to consolidate his success by signing important contracts. First of all, he signed an agreement with the Machat brothers: producer Steven Machat and show business lawyer Martin Machat. They became Cerron's managers in order to promote it internationally. Steven Machat signed Cerron to Atlantic Records in the USA and Canada, and to CBS everywhere except the USA, Canada and France. In France, he was given the right to publish on his own Malligator label. While waiting for the fourth album, Cerrone's fans were wondering where it would turn. Will this project be as conceptual and ambitious as the previous Supernatural, or will Cerrone return to the lingering, pleasant to forget and party style of the first albums Love in C Minor (1976) and Cerrone's Paradise (1977)? Making something amazing again after Supernature was, of course, not an easy task. Cerrone didn't repeat himself, but he made the fourth album no worse than the third. Cerrone IV: The Golden Touch was met with rave reviews in the United States, and Atlantic threw a huge party in New York in October 1978, one of the largest parties ever held for artists at that time. The album's envelope was decorated with appropriate pomp, where Cerron is represented in a laurel crown, and the Roman numeral in the title emphasizes his "crowned" status in disco culture. The Golden Touch in the title - The Golden Touch - proudly emphasizes the gold-bearing nature of Cerron's albums, which bring him "golden" discs, one after another. ...more

WILLY TOKAREV - GOLD-1983-ORIGINAL PRESS 2015 -EU-MIRUMIR-MIR100470. A rare anniversary edition of the iconic album. "Gold" is the fourth studio album by Soviet, American and Russian author-performer Willy Tokarev, released in 1983 on the Sava Recording Corporation label in the USA. The producer is Willy Tokarev. At the age of 40, in 1974, Willy Tokarev emigrated to the United States with $100 in his pocket. He was sheltered for 2-3 weeks by the Tolstoy Foundation, headed by Alexandra Tolstaya, daughter of Leo Tolstoy. There he was a courier, a cleaner in a bakery, sorted through the Russian library of a millionaire, a newspaper deliveryman, became unemployed because he did not know English well, so he began to learn the language by reading American newspapers, graduated from a nurse's course, learned to drive a car, passed a taxi driving test and began working as a taxi driver to earn money for recording records, writing songs in his spare time, he was robbed four times (once, on Christmas Day, he was almost killed by a black man). He played at Carnegie Hall on a balalaika, which he bought at a souvenir shop on Fifth Avenue for $ 50, then played and sang in restaurants and nightclubs.  In 1979, the first record "And life is always beautiful!" was released, which was not particularly noticed. In 1981, the second album "In a noisy booth" was released, which brought Tokarev fame among Russian-speaking emigrants. In the 1980s, he worked at the Russian restaurant Sadko, and then at the restaurants Primorsky and Odessa, accompanied by Irina Ola. He was called the "honorary Jew of Brighton." Willy founded his own label, One Man Band, and recorded about twenty albums there.In 1989, Willy Tokarev flew to the USSR with concerts. A major role in organizing these tours was played by the famous entrepreneur Viktor Shulman, who himself also performed "Odessa songs" from the repertoire of Leningrad "tape recorder" bards, Boris Sichkin and other veterans of the genre. 70 concerts throughout the Soviet Union were a success. ...more

AC/DC-THE RAZORS EDGE-1990-FIRST PRESS UK/EU-GERMANY -ATCO-7567-91413-1/WX364. The album includes the songs "Thunderstruck" and "Moneytalks", one of the most famous tracks of AC/DC. A huge commercial success the group returned to popularity in the late 70's-early 80-ies. The album is at # 2 on the Billboard 200 in the US and in 4th place in the UK. "The Razor's Edge" was certified five-time platinum album (which has sold 5 million copies), and in 2003, remastered, was included in a series of "AC/DC Remasters". ...more

ROBERT PLANT / JIMMY PAGE-NO QUARTER (2LP'S+PROMO PHOTO TOUR)-1994-FIRST PRESS USA-ATLANTIC 82706-1.  A mega rare original by two musicians from LED ZEPPELIN. Jimmy Page and Robert Plant, who became famous as members of the English rock band Led Zeppelin, recorded and toured in the mid-1990s as Page and Plant. Together with session musicians, they gave several concerts in 1994, the recordings of which made up their first album in a new capacity, "No Quarter", which was a significant success, after which they went on a world tour. They then recorded their second album, Walking into Clarksdale, and played another world tour, before disbanding the project at the end of 1998. The album NO QUARTER went double platinum in the USA and the UK.  ...more

BEATLES-REVOLVER-1966-FIRST PRESS (STEREO) UK-PARLOPHONE- PCS7009 Matrix Numbers: Side 1: YEX 605-1; Side 2: YEX 606-1.  2OH/3AO stamps (Early!) .  The first printing took place on August 5, 1966. Black label with yellow logo and silver lettering. “The Gramophone Co. Ltd.” printed at the beginning of the perimeter and contains the text “Sold in the UK on condition ...”. The usual white or white and black inner sleeves with the inscription “LP Advertisement". The label shows the KT tax code or without it. Matrix numbers: Side 1: XEX 605-1 Side 2: XEX 606-1. This is how labels first appeared on the shelves.  The labels use the Arial sans-serif font. In addition, the labels used two versions: on the second side of the track, Doctor Robert is written with a typo as “Dr. ROBERT” and without mistake. On the first press on the labels, the name of each song began with a new line, with the first line being written exclusively for “Taxman” and “Eleanor Rigby” starting from the second line down. It should also be noted that on these original labels, the title of each song was followed by the credits, followed by the author. ...more