Lot 63QUEEN-QUEEN II-1974-FIRST PRESS UK-EMI-NMINT/NMINT

LIVIN' BLUES-ROCKING AT THE TWEED MILL-1973-FIRST PRESS HOLLAND-PHILIPS-6413044. A rare German original of the cult album. .Rocking At The Tweed Mill is the fourth studio album by Dutch rock band Livin' Blues. It was released in 1973 with the support of the Philips label. In 1972, the band broke up with Eggermont and began collaborating with British producer Mike Vernon. Their first record together was "Rocking At The Tweed Mill", on which Arjen Cumming drummed. The album received high marks and hit all European charts. ...more

MOORE GARY-WILD FRONTIER-1987-FIRST PRESS UK-10 RECORDS- DIX56. A rare British original by a great guitarist. Wild Frontier is the sixth solo studio album by Northern Irish guitarist Gary Moore, released on March 2, 1987. This is his first studio work after returning to his native Belfast, Northern Ireland in 1985. The album contains several songs about Ireland. The album is dedicated to the memory of Moore's close friend and former Thin Lizzy member Phil Lynott, who died on January 4, 1986. It says "Philippe" on the back cover. Wild Frontier contains the hit single "Over the Hills and Far Away", which reached number 20 in the UK, as well as a cover version of the Easybeats song "Friday on My Mind". Max Middleton's song "The Loner" was originally recorded by Cozy Powell for his album Over the Top in 1979 (on which Moore performed, although not on Powell's recording of "The Loner"). Moore significantly changed the track for his recording, so he is listed as a co-author. The song "Crying in the Shadows", which was released as the B-side of the single "Over the Hills and Far Away" in December 1986 and featured as a bonus track on the Wild Frontier CD, was also recorded by Japanese singer Minako Honda under the name "The Cross (Ai No Jujika)"with Moore as the guitarist. ...more

KISS-DESTROYER-1976-ORIGINAL PRESS 1977 USA-CASABLANCA -NBLP7025. Santa Maria Pressing. Matrices NBLP-7025 A-12 CP AZ / NBLP-7025-B-BU-CP AZ is a rare American second press of a cult album. Destroyer is the fourth studio album by the American hard rock band Kiss, released on March 15, 1976 by Casablanca Records in the United States. It was the third consecutive Kiss album to reach the top 40 in the United States, as well as the first album to chart in Germany and New Zealand. The album was certified gold by the RIAA on April 22, 1976 and platinum on November 11 of the same year, becoming the first Kiss album to receive platinum status.[2] The album marked a departure from the rough sound of the band's first three albums. ...more

WILLY TOKAREV - GOLD-1983-ORIGINAL PRESS 2015 -EU-MIRUMIR-MIR100470. A rare anniversary edition of the iconic album. "Gold" is the fourth studio album by Soviet, American and Russian author-performer Willy Tokarev, released in 1983 on the Sava Recording Corporation label in the USA. The producer is Willy Tokarev. At the age of 40, in 1974, Willy Tokarev emigrated to the United States with $100 in his pocket. He was sheltered for 2-3 weeks by the Tolstoy Foundation, headed by Alexandra Tolstaya, daughter of Leo Tolstoy. There he was a courier, a cleaner in a bakery, sorted through the Russian library of a millionaire, a newspaper deliveryman, became unemployed because he did not know English well, so he began to learn the language by reading American newspapers, graduated from a nurse's course, learned to drive a car, passed a taxi driving test and began working as a taxi driver to earn money for recording records, writing songs in his spare time, he was robbed four times (once, on Christmas Day, he was almost killed by a black man). He played at Carnegie Hall on a balalaika, which he bought at a souvenir shop on Fifth Avenue for $ 50, then played and sang in restaurants and nightclubs.  In 1979, the first record "And life is always beautiful!" was released, which was not particularly noticed. In 1981, the second album "In a noisy booth" was released, which brought Tokarev fame among Russian-speaking emigrants. In the 1980s, he worked at the Russian restaurant Sadko, and then at the restaurants Primorsky and Odessa, accompanied by Irina Ola. He was called the "honorary Jew of Brighton." Willy founded his own label, One Man Band, and recorded about twenty albums there.In 1989, Willy Tokarev flew to the USSR with concerts. A major role in organizing these tours was played by the famous entrepreneur Viktor Shulman, who himself also performed "Odessa songs" from the repertoire of Leningrad "tape recorder" bards, Boris Sichkin and other veterans of the genre. 70 concerts throughout the Soviet Union were a success. ...more

CERRONE-GOLDEN TOUCH-1978-THE FIRST USA-COTILLION-SD5208 press. A rare American original of a cult album. Cerrone IV - The Golden Touch is the fourth studio album by French disco musician and producer Jean-Marc Cerrone, released in 1978 on Malligator (773,807) in France, on Atlantic branch Cotillion (SD 5208) in the USA, on CBS - in European countries. Having gained the huge popularity of his previous album, Supernatural - Cerrone III (1977), Cerrone decided to consolidate his success by signing important contracts. First of all, he signed an agreement with the Machat brothers: producer Steven Machat and show business lawyer Martin Machat. They became Cerron's managers in order to promote it internationally. Steven Machat signed Cerron to Atlantic Records in the USA and Canada, and to CBS everywhere except the USA, Canada and France. In France, he was given the right to publish on his own Malligator label. While waiting for the fourth album, Cerrone's fans were wondering where it would turn. Will this project be as conceptual and ambitious as the previous Supernatural, or will Cerrone return to the lingering, pleasant to forget and party style of the first albums Love in C Minor (1976) and Cerrone's Paradise (1977)? Making something amazing again after Supernature was, of course, not an easy task. Cerrone didn't repeat himself, but he made the fourth album no worse than the third. Cerrone IV: The Golden Touch was met with rave reviews in the United States, and Atlantic threw a huge party in New York in October 1978, one of the largest parties ever held for artists at that time. The album's envelope was decorated with appropriate pomp, where Cerron is represented in a laurel crown, and the Roman numeral in the title emphasizes his "crowned" status in disco culture. The Golden Touch in the title - The Golden Touch - proudly emphasizes the gold-bearing nature of Cerron's albums, which bring him "golden" discs, one after another. ...more