Lot 47JOHN, ELTON-TUMBLEWEED CONNECTION-1970-FIRST PRESS UK-DJM-NMINT/NMINT

WILLY TOKAREV - OVER THE HUDSON-1983-ORIGINAL PRESS 2015 -EU-MIRUMIR-MIR100469. A rare anniversary edition of the iconic album. "Over the Hudson" is the third studio album by Soviet, American and Russian author-performer Willy Tokarev, released in 1983 on the Sava Recording Corporation label in the USA. The producer is Willy Tokarev. At the age of 40, in 1974, Willy Tokarev emigrated to the United States with $100 in his pocket. He was sheltered for 2-3 weeks by the Tolstoy Foundation, whose head was Alexandra Tolstaya, daughter of Leo Tolstoy. There he was a courier, a cleaner in a bakery, sorted through the Russian library of a millionaire, a newspaper deliveryman, became unemployed because he did not know English well, so he began to learn the language by reading American newspapers, graduated from a nurse's course, learned to drive a car, passed a taxi driving test and began working as a taxi driver to earn money for recording records, writing songs in his spare time, he was robbed four times (once, on Christmas Day, he was almost killed by a black man). He played at Carnegie Hall on a balalaika, which he bought at a souvenir shop on Fifth Avenue for $ 50, then played and sang in restaurants and nightclubs.  In 1979, the first record "And life is always beautiful!" was released, which was not particularly noticed. In 1981, the second album "In a noisy booth" was released, which brought Tokarev fame among Russian-speaking emigrants. In the 1980s, he worked at the Russian restaurant Sadko, and then at the restaurants Primorsky and Odessa, accompanied by Irina Ola. He was called the "honorary Jew of Brighton." Willy founded his own label, One Man Band, and recorded about twenty albums there.In 1989, Willy Tokarev flew to the USSR with concerts. A major role in the organization of these tours was played by the famous entrepreneur Viktor Shulman, who himself also performed "Odessa songs" from the repertoire of Leningrad "tape recorder" bards, Boris Sichkin and other veterans of the genre. 70 concerts throughout the Soviet Union were a success. ...more

NIRVANA -LOCAL ANAESTHETIC-1971-THE FIRST UK PRESS-VERTIGO-SWIRL-6360031. A mega rare original of one of the masterpieces of the British rock prog. Originally released on the Vertigo label in 1971, Local Anesthetic was the first album released under the NIRVANA name featuring only half of the original songwriting duo, Patrick Campbell-Lyons, who had been left alone after amicably parting ways with Alex Spyropoulos a few months earlier, disappointed by the band's lack of success, especially after the disastrous previous opus, and decided to pursue a career as a composer for the television and film industry. On Local Anesthetic, Campbell-Lyons chose a more “progressive” direction: the album consists of two long suites featuring saxophonist Mel Collins (KING CRIMSON) and the band JADE WARRIOR, among others. To be fair, it's worth noting that this CD wasn't a success either. The first track was a kind of psychedelic trance, with rather nondescript arrangements and the absence of any highlights, which cannot be said about the second side. The epic ”Home", consisting of five parts, is simply amazing, with its signature melodic lines and musical diversity - hard rock, blues rock, and psychedelia have not gone away, and the influence of jazz is palpable. A true feast for fans of the so-called proto-prog! ...more

DEEP PURPLE-THE HOUSE OF BLUE LIGHT-1987-FIRST GERMANY PRESS-POLYDOR-831318-1. Rare europe original iconic group. The House of Blue Light is the twelfth Studio album by British rock band Deep Purple and the second, recorded by the reunited "classic lineup" of the group, published in January 1987. In the Soviet Union was released by the record label "Melody" in 1988. The group gathered to record 12 APR 1986 in Massachusetts, USA, but has already finished recording in Vermont. According to Ritchie Blackmore, recording this album was a long and painful process, many tracks had to be rewritten. September 26, 1986 Roger Glover started mixing the album at Union Studios in Munich. It was assumed that all group members will be present at the same time, in order to make the last adjustments, however, the musicians appeared in the Studio, and left with it when they please: the contradiction between group members increased again, especially intense was the old conflict between Ritchie Blackmore and Ian Gillan. So out of all the members of the group only Gillan recorded several smaller parties. Had various disputes over the album, such as title (pace offered to call the album the title of one song — Black and White; also considered options such as The Acid Test, and It's Not That Bad!), songs (challenge the inclusion in the album of the song "Mitzi Dupree"). In connection with the complexities of entry and disputes a test version of the master disk appeared only on 18 December 1986, and, for example in the US, the album was planned (and announced) at the end of October of the same year. Accordingly, the release date of the album was postponed to January 12, 1987. ...more

REA, CHRIS-ROAD TO HELL-1989-FIRST PRESS UK/EU-GERMANY-WEA - 246285-1. The Road to Hell is the tenth Studio album by Chris Rea, released in 1989. It is considered one of his most popular albums. The record has a platinum status. ...more

FREDDIE AND THE DREAMERS -YOU WERE MAD FOR ME-1964-FIRST PRESS (MONO) UK-COLUMBIA-33SX1663. A rare British original rock beat band. Mitch Murray was invited to the project, who wrote several songs for FREDDIE AND THE DREAMERS, and two subsequent singles, "I'm Telling You Now" and "You Were Made For Me", took second and third place in the charts. All this happened in 1963, and their first full-length album was released in the same year. As was often the case in those days, he was named after the band, Freddie And The Dreamers.  And it was a success! Those who know the history of rock music in the sixties will agree with me: not every talented band could count on such success. FREDDIE AND THE DREAMERS easily occupied a niche unoccupied by other bands in the souls of the British, or rather, in a certain part of it, and the longplay took fifth place in the national charts. The second album in 1964, "You Were Mad for Me", only fueled interest in the ensemble, although there, as in the first, there was not a single song created within the band. Chuck Berry, Paul Anka, Ray Charles and others…  ...more