5

Lot 5FREDDIE AND THE DREAMERS -YOU WERE MAD FOR ME-1964-FIRST PRESS (MONO) UK-COLUMBIA-NMINT/NMINT

FREDDIE AND THE DREAMERS -YOU WERE MAD FOR ME-1964-FIRST PRESS (MONO) UK-COLUMBIA-33SX1663. A rare British original rock beat band. Mitch Murray was invited to the project, who wrote several songs for FREDDIE AND THE DREAMERS, and two subsequent singles, "I'm Telling You Now" and "You Were Made For Me", took second and third place in the charts. All this happened in 1963, and their first full-length album was released in the same year. As was often the case in those days, he was named after the band, Freddie And The Dreamers.  And it was a success! Those who know the history of rock music in the sixties will agree with me: not every talented band could count on such success. FREDDIE AND THE DREAMERS easily occupied a niche unoccupied by other bands in the souls of the British, or rather, in a certain part of it, and the longplay took fifth place in the national charts. The second album in 1964, "You Were Mad for Me", only fueled interest in the ensemble, although there, as in the first, there was not a single song created within the band. Chuck Berry, Paul Anka, Ray Charles and others… 

Vinyl record in top condition -NMINT/ARCHIVE . The cover is laminated in top condition -NMINT.ARCHIVE. Labels in top condition- NMINT/ARCHIVE

Lot 5FREDDIE AND THE DREAMERS -YOU WERE MAD FOR ME-1964-FIRST PRESS (MONO) UK-COLUMBIA-NMINT/NMINT

Lot sold: 4800 ₽

Estimate:
6000—7000 ₽
Online Closing:
30-12-2024 19:30

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73
73. ABBA-WATERLOO-1974-FIRST PRESS SWEDEN-POLAR-NMINT/NMINT

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Estimate: 5000—6000 ₽

65
65. BLACK SABBATH-TECHNICAL ECSTASY -1978- FIRST PRESS UK-VERTIGO-NMINT/NMINT

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BLACK SABBATH-TECHNICAL ECSTASY -1978- FIRST PRESS UK-VERTIGO-9102750. A rare original of the cult album . "Technical Ecstasy" is the seventh studio album by the British rock band Black Sabbath, released in 1976. Musically, the CD is a further development of the musical ideas of the guitarist and main composer of the band Tony Iommi. Just like on the last two albums, on Technical Ecstasy, simple and short songs such as "Rock 'N' Roll Doctor" contrast with longer and more complex songs such as "You Won't Change Me" and "Dirty Women". The source material was somewhat spoiled by unimportant production [the source is not specified for 102 days, and therefore could not repeat the commercial success of its predecessor, the album Sabotage (1975). Nevertheless, partly thanks to the beautiful songs, and partly thanks to the big name "Black Sabbath", this album sold steadily and eventually received its "platinum" in the UK and "gold" in the USA. Technical Ecstasy reached number 13 in the UK charts and number 51 in the US Billboard magazine charts ...more

Lot sold: 14100 ₽

23
23. THE WHO-ODDS AND SODS-1974-FIRST PRESS GERMANY-TRACK-NMINT/NMINT

Lot 23.THE WHO-ODDS AND SODS-1974-FIRST PRESS GERMANY-TRACK-NMINT/NMINT

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Lot sold: 4300 ₽

Estimate: 5000—6000 ₽

56
56. DEEP PURPLE-THE HOUSE OF BLUE LIGHT-1987-FIRST PRESS GERMANY-POLYDOR-NMINT/NMINT

Lot 56.DEEP PURPLE-THE HOUSE OF BLUE LIGHT-1987-FIRST PRESS GERMANY-POLYDOR-NMINT/NMINT

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29
29. IAN CARR WITH NUCLEUS-SOLAR PLEXUS-1971-FIRST PRESS UK-VERTIGO SWIRL-NMINT/NMINT

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IAN CARR WITH NUCLEUS-SOLAR PLEXUS-1971-THE FIRST UK PRESS-VERTIGO SWIRL-6360039. A mega rare original of the iconic jazz-rock progressive British band. Solar plexus is the third album by legendary musicians. On the previous two Nucleus albums, Carl Jenkins was the main songwriter. Now bandleader Ian Carr, who single-handedly wrote all the material for this album, has finally decided to take the reins. As a result of his conceptual approach, more spontaneous, groove compositions (reminiscent of the band's second album) alternate with more static and "compositional" ones (in the spirit of the first disc). Thus, the material here turned out to be, although without bright themes (Jenkins could not be surpassed), but more balanced and high-quality than on the previous disc. Yes, it is quite possible to blame Carr that his playing is devoid of Miles's emotional depths, but both he and the rest of the uncles from Nucleus have both individuality and a serious level of skill, which does not kill the music. Despite the seriousness of the ambitions, this is a very lively, diverse and mobile jazz-rock with a good game. In terms of mobility, a separate respect should be expressed to drummer John Marshall - it is always interesting to listen to him. Guitarist Chris Spedding doesn't do much solo, but he expertly maintains rocking rhythms. The final 15-minute Snakehips Dream is especially good: a cool groove and a real expanse for all musicians and listeners. ...more

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